In a rather unexpected turn given its genre, Murder on the Orient Express actually sets up a sequel. But does it go as far into franchise-teasing territory as having a post-credits scene?

Kenneth Branagh’s classical reimagining of Agatha Christie’s prime Poirot pits the actor-director against a glitzy cast of suspects (and a not-in-it-anywhere-near-as-much-as-you-feared Johnny Depp), forced to solve a mystery on the claustrophobic, isolated train of the title. The reviews for the film have been mixed so far – critics have praised the director’s style but not his handling of suspense – although with such a great source is sure to connect with its audience regardless. And ...

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